Monday 25 May 2020

Pattern Review: Wilder Gown

So, I am pregnant! Knowing that I will grow increasingly large over the summer, reaching my maximum state of enormousness in October, my sewing attention has turned to maternity wear. I feel quite uncomfortable with the idea of buying or making clothes that will only last me for a few months - many of the clothes in my wardrobe are at least 5 years old, some of them 10+ years. So I have been mindfully considering sewing patterns that have the longevity to act as maternity wear now, and still be suitable for normal-size-me in the future.

Enter the Friday Pattern Company Wilder Gown. I bought the PDF pattern directly from their website a couple of weeks ago. There are quite a lot of pages (30 for the pattern, and another 19 for the instruction booklet), but I appreciated their effort to minimise printing by suggesting I draw out the skirt panels myself, since they are simple rectangles. The option to print these panels as part of the PDF is there too though, for those who don't have a long enough ruler!

FEATURES


The Wilder Gown is a full and flowy shin-length dress. It has a bodice with raglan sleeves, with two options for sleeve length - ending just above the elbow for the short-sleeve version, and mid-forearm for the long-sleeve version. The sleeves are loose-fitting throughout, but not billowy. The neckline has a wide channel around it with an inch-wide ribbon threaded through, which can be tied into a bow, gathering the bodice into a ruffled collar, or left undone. The centre front of the bodice is split down to mid-chest, but if the bow is tied this is generally hidden. The skirt is made up of two tiers, both gathered around the top, so that the dress becomes fuller as it goes down.








Due to the length and all the gathering, the standard version of this dress does ask for a substantial 3-5.5m of fabric, depending on dress size and fabric width. That being said, both versions I made used less. In fact, the blue version used less than 2m. I will talk through my alterations later.

CONSTRUCTION

Despite sewing for nearly 10 years now, I am quite a slow worker. I was very pleased to find that I could make the pink version within a day (which is almost unheard of for me!). I used a very soft and lightweight viscose from Sew Me Sunshine.

The blue dress took longer, three or four days, partly just because I was being a lot more careful with the delicate embroidered tulle fabric, but also because it needed a lining - so I was essentially making the dress twice! And then joining the lining to the main fabric was a bit fiddly too. The embroidered tulle came from a fabric shop in Ho Chi Minh City, Vietnam, and the lining is a standard black lining fabric from John Lewis.



I have seen people report that they have made their Wilder Gown in an HOUR (?!) or two, which seems crazy to me. If I have decided how to lay out all my pattern pieces within an hour I think I'm doing well! Anyway, the point is: this is a fairly quick make.

There is nothing particularly challenging in the construction process. The instructions are very good - clear and concise, and there are lots of diagrams. You just need to have a bit of patience when gathering the skirt tiers, particularly the lower one, which is looooong! And of course it requires hemming too, arghh. This also means it devours plenty of thread, so make sure your bobbin is fully loaded up!

FITTING

The pattern is very loose-fitting and airy. This makes it perfect for me as summer maternity wear - it's super comfy and shouldn't get too hot. But it's also a very cool silhouette for a non-pregnant person, which is why I wanted to try it.

It is drafted for a height of 5'5" and a B-cup bust. I am bang on 5'5", but my bust is currently an E-cup (gearing up for breastfeeding!) There are markers on the pattern where you can do a full bust alteration if your boobs are also on the larger size, but I didn't bother and have not had any trouble with the fit, since the style is so loose anyway.

For reference, my measurements are currently B: 36" W: 28" H: 37". For the pink dress, I cut a medium bodice, and small skirt. For the blue, I cut a medium bodice, and an extra-small skirt. In both cases, the smaller skirt was to help me save on fabric, and just means the skirts are slightly less gathered and full than the design intended.



As a personal preference, I tend to like a defined waistline. This dress absolutely does not have that! The original pattern requires a full embrace of the boho vibe, or can be transformed into more of a baby doll shape if you shorten it and make it in a slightly stiffer fabric. Either way, it is very full. However, if you prefer a defined waist too, I found a simple and effective solution to this. I've explained below as an alteration that I made to both dresses.



ALTERATIONS

One of the great things about this pattern is how easy it is to make alterations to the length of the skirt(s) and sleeves. It really allows you to make it your own. I've seen so many beautiful and very different versions on Instagram and have used some of them as inspiration for my own creations.

On the pink dress:

  • I lengthened the long-sleeve by 3" and threaded a thin 7mm elastic through the cuffs
  • I shortened the lower skirt tier by 2"


  • On the blue dress:

  • I shortened the short-sleeve by 2" (although I wish I hadn't, it seems a bit too short now!) and again I put 7mm elastic around the cuffs 
  • I shortened the higher skirt tier by 2"
  • I shortened the lower skirt tier by 11"
  • I added a lining, identical to the main dress except I removed the 2" at the neckline that gets folded under to make the channel for the neck tie. I attached the lining to the main fabric directly underneath the channel for the neck tie, and at the sleeve ends, and along the split down the front of the bodice.




  • On both versions:

  • To create a defined waist, I added a channel in the seam that joins the bodice to the higher skirt tier, and threaded a thin piece of ribbon through which allows me to cinch it in and create a bit of shape, or release it back out to maximum fullness depending on how I'm feeling. It was really easy to do - I just sewed an extra line of stitches parallel to the seam, within the seam allowance, creating a channel about 1cm wide. Importantly, I left a 1-inch gap when coming back around to my first stitches, in order to thread the ribbon through. Now I have the two ribbon ends both coming out this gap so I can tie it up as tightly or loosely as I want. This ribbon hangs down on the inside of the dress, so it isn't visible. I made sure the gap was at the side seam to make it easy for me to get to while wearing it. 


  • RECOMMENDATIONS

    This is a lovely and surprisingly simple pattern to work with, so I would highly recommend it. Particularly because it is so easy to alter to create different looks, and the instructions are friendly. The only downside from my point of view is the fabric expense if you plan to make it at the original length.

    Having now made this dress twice, there are some general alterations (unrelated to fit) that I have made to the pattern pieces which may be helpful to other makers. This is a bit techy so only really worth reading if you have the pattern in front of you and you're about to get started! In which case - happy sewing!
    • The original pattern uses two strips sewn together to make the tie that goes around the collar. I calculated the full tie length (the length of the original tie piece minus the 1.5cm seam allowance, then doubled). Then I cut just one pattern piece at this full length to avoid having the seam, thus saving myself a little bit of time and fabric. And I just think it's a bit neater.
    • The pattern asks you to cut three panels for the bottom tier of the skirt. But this means having three seams in what I think are kind of awkward places, either one right down the centre-front or two that are visible from the front... I would rather have just two seams, in line with the higher skirt tier, down the sides. So again, I did a bit of maths. I calculated the full circumference of the lower skirt tier (skirt panel width x3), and then halved it so that I could cut two wider panels instead. This does mean now having separate pattern pieces for the two different skirt tiers, but I think it's worth it.
    • Lastly, 1.5cm always seems like quite an excessive seam allowance to me, and find myself trimming the fabric down afterwards when finishing the raw edges so that they don't flap around on the inside. So I reduced the seam allowances on the pattern pieces from 1.5cm to 1cm, to avoid trimming and to save a little bit on fabric again. I did leave the seam allowance as 1.5cm for the seams joining together the dress tiers though, to allow space for the skirt gathering.



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